Benjamin Jacobs

Architect, Designer,

Sonic Studies

Competition

06.2025 – 10.2025

OTR Studios

Graphic Design

09.2025 –

Nestled Performances

Undergraduate Thesis

09.2024 – 05.2025

"puppet" for VMAG SS'25

Editorial Design

01.2025 – 04.2025

The Red Hook Way

Studio; Urban Design

09.2024 – 12.2024

"SKATE" for VMAG FW'24

Editorial Design

09.2024 – 11.2024

"STAINED" for VMAG FW'24

Editorial Design

09.2024 – 11.2024

Library of Communication

Studio; Re-Use

01.2024 – 05.2024

Poster Studies

Personal; Graphic Design

01.2022 –

c. 04.2026

Benjamin Jacobs

Architect, Designer,

Sonic Studies

Competition

06.2025 – 10.2025

OTR Studios

Graphic Design

09.2025 –

Nestled Performances

Undergraduate Thesis

09.2024 – 05.2025

"puppet" for VMAG SS'25

Editorial Design

01.2025 – 04.2025

The Red Hook Way

Studio; Urban Design

09.2024 – 12.2024

"SKATE" for VMAG FW'24

Editorial Design

09.2024 – 11.2024

"STAINED" for VMAG FW'24

Editorial Design

09.2024 – 11.2024

Library of Communication

Studio; Re-Use

01.2024 – 05.2024

Poster Studies

Personal; Graphic Design

01.2022 –

c. 04.2026

Nestled Performances

Undergraduate Thesis

DC Armory
Washington, DC

The project suggests the redevelopment of the DC Armory into a music center focused on substantiating local music growth. DC has been home to many influential musicians before their eventual rise to fame elsewhere in the US.

The development will help permeate musical education and evolution throughout the city, at a time when the presence of the arts is most at risk in Washington, DC.

The Washington DC urban fabric decomposes at the site of the RFK Campus, which notably will be reintegrated in future developments.

The DC Armory drill field is a site rich with entertainment and musical history, and its location is perfect for sheltering multiple programs.

Music development happens in three phases, and each interior structure has a unique formal process for each phase and its identity.

The three programs are housed with unique formal qualities that materialize their intentions. Their chronological sequence encourages visitors to learn, not only about the music of the past, present, and future, but also about themselves.

Catwalk to the practice spaces.
Listening rooms within exhibition

Outside the practice, listening, exhibition, and performance rooms, exists a strategic system of catwalks. Their presence creates a feeling of being part of the building's life cycle, while also providing a multitude of possibilities for interactions and performance.

There can be small bands scattered amongst the ground floor; A film may be shown inside the shell of the second and third floors; The walls may open up and allow onlookers to become active audience members of the performance hall. Deregulating these experiences makes it easier for more people to be involved in the world of music.

Designed through precedent analysis, experiential tests, and iteration to create a space outside the bounds of time and genre.
Thesis led by Prof. Lucia Phinney

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